Jaipongan is a genre of dance that was born from the creativity of an artist from Bandung, gugum Gumbira. Attention to folk art one of them is making Tap Tilu really know and recognize the patterns of traditional dance that is at Kliningan / or Tap Tilu Bajidoran. Opening movements, pencugan, nibakeun and several varieties of motion of several arts mincid above have enough inspiration to develop the art of dance or now known as Jaipongan.
Prior to this performance art form emerged, there are several influences behind this social dance form. In West Java, for example, social dance is the influence of the Ball Room, which is usually in a dance-dance association could not be separated from the existence and pamogoran ronggeng. Ronggeng in social dance is no longer functioning for ceremonial activities, but for entertainment or slang way. Existence ronggeng in the performing arts attraction that invites sympathy for the pamogoran. For example in Tilu Tap dance is so well known by the Sundanese people, is expected this art popular around the year 1916. As a folk performance art, art is only supported by simple elements, such as covering waditra fiddle, drums, kulanter two, three beats, and gongs. Similarly with tarinya gestures that do not have a standard pattern of motion, simple costumes dancer as a reflection of democracy.
Prior to this performance art form emerged, there are several influences behind this social dance form. In West Java, for example, social dance is the influence of the Ball Room, which is usually in a dance-dance association could not be separated from the existence and pamogoran ronggeng. Ronggeng in social dance is no longer functioning for ceremonial activities, but for entertainment or slang way. Existence ronggeng in the performing arts attraction that invites sympathy for the pamogoran. For example in Tilu Tap dance is so well known by the Sundanese people, is expected this art popular around the year 1916. As a folk performance art, art is only supported by simple elements, such as covering waditra fiddle, drums, kulanter two, three beats, and gongs. Similarly with tarinya gestures that do not have a standard pattern of motion, simple costumes dancer as a reflection of democracy.
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